History Of Photography Midterm Lectures 1-3

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History Of Photography Midterm Lectures 1-3

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Joseph Nicéphore Niépce, Copy of Engraving of General d’Amboise, heliograph with engraving, 1826

 
Joseph Nicéphore Niépce, View from His Window at Le Gras, heliograph, 1826

 
Charles Richard Meade, Louis-Jacques-Mandé Daguerre, 1848, Daguerreotype

 
Louis-Jacques-Mandé Daguerre, Still Life, 1837, Daguerreotype

 
Louis-Jacques-Mandé Daguerre, Boulevard du Temple, Daguerreotype, 1838

 
 
Joseph Nicéphore Niépce, Set Table, heliograph, ca. 1827 (no longer extant)

 
Pierre-Gustave de Lotbinière, The Propylaea at Athens, aquatint engraving from a Daguerreotype taken in 1839, from N. M. P. Lerebours, Excursions daguerriennes (Paris: 1841-42)

 
Baron Jean-Baptiste-Louis Gros, Rue de l’observatoire, Bogatá, Columbia, 1842, Daguerreotype

 
Hermann Biow, Alexander von Humboldt, 1847, Daguerreotype

 
Albert Sands Southworth & Josiah Johnson Hawes, Lemuel Shaw, Chief Justice of the Massachusetts Supreme Court, 1851, Daguerreotype

 
John Edwin Mayall, The Crystal Palace, London, During the Great Exhibition of the Works of Industry of all Nations, 1851,
Daguerreotype

 
Antoine Claudet, Self-Portrait with His Son Francis, 1853, stereoscopic Daguerreotype 

 
Charles Fontayne & William Southgate Porter, Cincinnati, 1848, Daguerreotype

 
George N. Bernnard, Burning Mills, Oswego, N. Y., 1853, Daguerreotype

 
William Henry Fox Talbot, Botanical Specimen, (Branch of Flowering Appletree), ca. 1839, photogenic drawing negative

 
William Henry Fox Talbot, Botanical Specimen, Leaves, ca. 1839, photogenic drawing negative

 
 
William Henry Fox Talbot, Lacework, ca. 1839, photogenic drawing negative

 
 
William Henry Fox Talbot, Articles of China, from The Pencil of Nature, Pl. 3, 1844-46, salted paper print from a calotype negative

 
William Henry Fox Talbot, The Open Door, from The Pencil of Nature, Pl. 4,
1844-46, salted paper print from a calotype negative

 
William Henry Fox Talbot, The Haystack, from The Pencil of Nature, Pl. 10, 1844-46, salted paper print from a calotype negative 

 
Anonymous, Henry Fox Talbot’s Studio, ca. 1845, salted paper print from a calotype negative

 
William Henry Fox Talbot, The Nelson Column, Trafalgar Square, London, under Construction, ca. 1843, salted paper print from a calotype negative

 
William Henry Fox Talbot, The Chess Players: Fox Talbot & Antoine Claudet in Claudet’s Studio, 1844, salted paper print from a calotype

 
David Octavius Hill & Robert Adamson, Rev. T. H. Jones, ca. 1845, salted paper print from a calotype negative

 
 
David Octavius Hill & Robert Adamson, Lady Ruthven, ca. 1845, salted paper print from a calotype negative

 
David Octavius Hill & Robert Adamson, Birdcage, ca. 1845, salted paper print from a calotype negative

 
David Octavius Hill & Robert Adamson, Greyfriar Cemetery, ca. 1845, salted paper print from a calotype negative

 
David Octavius Hill & Robert Adamson, The Morning after ‘He, greatly daring, dined,’ ca. 1845, salted paper print from a calotype negative

 
Maxime Du Camp, The Colossus of Ramses II at the Temple of Abu Simbel, Plate 107 of the album Égyte, Nubie, Palestine et Syrie (Paris: 1852), albumen (salted paper) print by L. D. Blanquart-Evrard from a wet collodion on glass (calotype) negative, 1849-1851

 
Maxime Du Camp, The West Bank of the Nile, from the album Égyte, Nubie, Palestine et Syrie (Paris: 1852), albumen (salted paper) print by L. D. Blanquart-Evrard from a wet collodion on glass (calotype) negative, 1849-1851

 
Maxime Du Camp, The Colossus of Ramses II at the Temple of Abu Simbel, from the album Égyte, Nubie, Palestine et Syrie (Paris: 1852), albumen (salted paper) print by L. D. Blanquart-Evrard from a wet collodion on glass
(calotype) negative, 1849-1851

 
Maxime Du Camp, Thebes: The Eastern Part of the Temple of Ramses, from the album Égyte, Nubie, Palestine et Syrie (Paris: 1852), albumen (salted paper) print by L. D. Blanquart-Evrard from a wet collodion on glass (calotype) negative, 1849-1851

 
Maxime Du Camp, The Golden Gate, Jerusalem, from the album Égyte, Nubie, Palestine et Syrie (Paris: 1852), albumen (salted paper) print by L. D. Blanquart-Evrard from a wet collodion on glass (calotype)
negative, 1849-1851

 
Hippolyte Bayard, Feathers, 1839, direct paper positive

 
Hippolyte Bayard, Self-Portrait as a Drowned Man, 1840, direct paper positive

 
Hippolyte Bayard, Double-Portrait in Profile, n.d., albumen print from a glass (calotype) negative

 
Hippolyte Bayard, The Bottom of the Garden, ca. 1850, albumen print
from a glass (calotype) negative

 
Hippolyte Bayard, South Façade of Notre-Dame Cathedral, ca. 1850, albumen print from a glass (calotype) negative

 
Edouard Baldus, Cloister at Saint-Trophîme, Arles, 1851, partly hand-painted paper print

 
Edouard D. Baldus, Train Station, Toulon, late 1850s, albumen print from a glass (calotype) negative

 
Edouard D. Baldus, Pont du Gard, 1855, albumen print from a glass (calotype) negative

 
 
Edouard D. Baldus (attr.), Private House, Paris: Windows and Doorway, ca. 1855, albumen print from a glass (calotype) negative

 
Henri Le Secq, Stair Tower, Rue de la Petite Boucherie, Chartres, gelatin-silver print from the original calotype negative, 1852

 
Gustave Le Gray, Court of Honor, Hôtel de Cluny, Paris, 1852, albumen print

 
Henri Le Secq, Ducal Palace, Nancy, Tympanum of Small Door Chartres,
1852, gelatin-silver print from the original calotype negative

 
Gustave Le Gray, “Seascape with Sailing Ship and Tugboat,” combination albumen print, 1857

 
Gustave Le Gray, “The Great Wave – Sète,” combination albumen print, 1865

 
Charles Marville, Reims Cathedral, Portal, 1853, Blanquart-Evrard salt print from paper negative

 
Charles Marville, Rue Tirechappe, ca. 1860-1870, albumen print

 
Charles Marville, Hôtel de Ville after the Fire, ca. 1870, albumen print

 
  • Charles Nègre, Henri Le Secq at Notre-Dame, gelatin-silver print from the original calotype negative, 1851

 
Viollet-le-Duc, Project for a Concert Hall, architectural drawing, 1864

 
Charles Nègre, Oil Presses at Grasse, France, gelatin-silver print from
the original calotype negative, 1852

 
Charles Nègre, Chimney Sweeps Walking, ca. 1850s, salted paper print from a calotype negative

 
André-Adolphe Disdéri, Portrait of an Unidentified Woman, ca. 1860-1865, uncut albumen print from a carte-de-visite negative

 
 
André-Adolphe Disdéri, Portrait of a Ballerina, ca. 1860, uncut albumen print from a carte-de-visite negative 

 
Nadar (Gaspar-Félix Tournachon), Groupe de Poules, Folies Bergères, albumen print from collodion negative, ca. 1860

 
Nadar (Gaspar-Félix Tournachon), Aerial View of Paris, albumen print, 
1859

 
Nadar (Gaspar-Félix Tournachon), A View of the Arc de Triomphe Taken from a Balloon, 1859, albumen print

 
Nadar (Gaspar-Félix Tournachon), ‘Neptune’ in the Place St. Pierre, 1870,
albumen print

 
Nadar (Gaspar-Félix Tournachon), Workman in the Parisian Catacombs, 1861, albumen print

 
Nadar (Gaspar-Félix Tournachon), George Sand, woodburytype, 1877

 
Nadar (Gaspar-Félix Tournachon), Sarah Bernard, n. d., albumen print

 
Nadar (Gaspar-Félix Tournachon), Nadar at a Fancy-Dress Ball, ca. 1860,
albumen print

 
Nadar (Gaspar-Félix Tournachon), Woman from the West Indies, 1854-59, albumen print

 
 
Nadar (Gaspar-Félix Tournachon), Camille Corot, 1859, albumen print

 
Nadar (Gaspar-Félix Tournachon), Charles Baudelaire, 1862, albumen print