Art History (first Half)

Chapter 17, 18, 19Fourteenth Century Art in Europe, Fifteenth Century Art in Northern Europe, and Renaissance Art in Fifteenth Century Italy

90 cards   |   Total Attempts: 182
  

Cards In This Set

Front Back
Francesco Petrarca, Dante Alighieri, and Giovanni Boccaccio were all leading __________ in fourteenth-century Europe.
Writers
Sienese painting is particularly associated with the continued influence of __________ traditions.
Byzantine
The terms giornata, sinopia, and intonaco all refer to the art of creating a __________.
Fresco
The city of __________ was a direct rival with Siena.
Florence
Scrovegni was guilty of the sin of usury—the sin of charging interest—so as a sign of penitence to the Church he commissioned __________.
The Arena Chapel
__________ is an example of an artwork that possibly demonstrates stylistic changes owing to Black Death.
Andrea di Cione's Strozzi Altarpiece
Although Giotto di Bondone was trained in the Florentine tradition, many of his principal works were produced elsewhere, such as the frescoes for the Arena Chapel, located in __________.
Siena
The recipient of the prestigious commission to make gilded bronze doors for the Florence Baptistery of San Giovanni was __________.
Andrea Pisano
__________ arches are defined by an S-shape.
Ogee
At the beginning of the fourteenth century, the royal court in __________ was the arbiter of taste in Western Europe.
Paris
Begun in 1313, the Exeter Cathedral was constructed around an original __________ building, some of which was incorporated into the new edifice.
Norman
Brackets that project from a wall are called __________.
Corbels
Heinrich Parler, a former master of works on the __________ Cathedral, designed the church of the Holy Cross in Schwäbisch Gmünd.
Cologne
A(n) __________ is a covered open-air corridor.
Loggia
Fourteenth-century _________ sculpture is intimate, with religious objects becoming more emotionally expressive and smaller, demanding close scrutiny.
French