Musical History- Terms and People to Know

An integrated book musical that is essentially nonnarrative, or at least nonlinear in its narrative approach, and that often takes on some aspects of a revue

English spoken by foreigners, tried to not to mark down the other as different and eventaually create a hierarchy, they are the ones not speaking good english, pared-down modes

Films that had accompiment, but then later when film came with a sound track, live accompiment films became dead

Two-pronged approach, setting up musical numbers as "naturally" as possible, but moving fairly quickly into ...

A kind of "love triangle" in which the long-standing friendship of two men (often a hero and his sidekick) is threatened by the atraction of one of them to a woman introduced early on (the ingenue, although often not axactly an innocent)

Routine in which each member of the comedy team interrupts the other

Japan, 1853, USA

Mentor to the other to persuaide him to work on Gypsy

Musical usually seen as a groudnbreker for importance of broadway musicals, Oklahoma, all the elements involved in a musical- music, drama, song, dance, scenery, costumes, etc.- contribute to a single integrated whole

Wrote Pygmalion, play which My Fair Lady is based off of.

Sexploitiation

Director-choreographer, West Side Story and The King and I

What matters is what you are “inside,” not what you do, developed by Kant, 19th century

Read the story, films are nothing like it.

Shakespeare story, about a shrew and being courted