Flashcard Set Preview
| Side A | Side B | ||
| 1 |
known for being romantic, exotic and naturalistic in the age of 1880 - 1942
|
Fokine
|
|
| 2 |
known for the spectre del le rose in 1913
|
Fokine
|
|
| 3 |
known for their radical experimentation in the age of 1888-1913
|
Nijinsky
|
|
| 4 |
known for the Rite of spring in 1913
|
Nijinksy
|
|
| 5 |
choreographers in Phase 1 of Diaghilev's time
|
Fokine and Nijinsky
|
|
| 6 |
Known for satire, pantomime, novelty in the age of 1895 - 1979
|
Massine
|
|
| 7 |
known for "parade"
|
Massine
|
|
| 8 |
Known for realism, modernist abstraction in the time of 1891-1972
|
Nijinska
|
|
| 9 |
Known for " Noces" in 1923
|
Nijinska
|
|
| 10 |
choreographers in Phase 2 of Diaghilev's time
|
MassineNijinska
|
|
| 11 |
known for neo-classicism in the age of 1904-1983
|
Balanchine
|
|
| 12 |
Known for "apollon Musagete" for the age of 1928
|
Apollon Musagete
|
|
| 13 |
-
neither a dancer,...
|
Diaghilev
|
|
| 14 |
e.g. composers: Stravinsky,
Ravel, Debussy, Satie,...
|
Diaghilev
|
|
| 15 |
What did Diaghilev develop his artistic vision around?
|
the concept of theatrical synthesis or "total theatre"
|
|
| 16 |
the
perfect ballet is the fusion of 3 elements:
|
- dancing - painting - music
|
|
| 17 |
all the arts in ballet should be
|
unified
|
|
| 18 |
no artist should be ___ to any other
|
subservient
|
|
| 19 |
each artist should ___ the work of the other
|
complement
|
|
| 20 |
Diaghilev's 4 rules
|
1) the perfect ballet is the fusion...
|
|
| 21 |
that made up the "Diaghilev era"
|
The Ballets Russes at the Paris Opera House in
1909
|
|
| 22 |
1. Creating new movement for each...
|
- subject matter- time period - geographic location
|
|
| 23 |
1. Dancing and mime
should express...
|
dramatic actionentertainment
|
|
| 24 |
Mime should be used only when __ by the
style of the ballet...
|
required
|
|
| 25 |
1. Groups of dancers
should not...
|
ornamentationexpressive
|
|
| 26 |
1. Each artist
working on the ballet...
|
equality
|
|
| 27 |
The innovative characteristics of Fokine’s choreography...
|
i)
freer...
|
|
| 28 |
1908, a solo choreographed for Anna Pavlova
|
dying swan
|
|
| 29 |
The male role was created for Nijinsky and
re-established a...
|
Spectre
De La Rose (the Spirit of the Rose), duet, 1911
|
|
| 30 |
how many works did Nijinsky choreograph for Diaghilev?
|
3
|
|
| 31 |
what were the 3 works Nijinsky choreograph for Diaghilev?
|
- the afternoon of a faun - games- the rite of spring
|
|
| 32 |
which dance became a huge scandal?
|
the rite of spring
|
|
| 33 |
1. Nijinsky’s
approach to choreography...
|
radical
|
|
| 34 |
1. Massine had a
great flair for...
|
comedy, satire, farce,
|
|
| 35 |
1. One of Massine’s
ballets marked...
|
parade
|
|
| 36 |
Music by Satie, costumes and scenery by Picasso,___ has...
|
Parade
|
|
| 37 |
3 parts of modernism
|
1. neo-romanticsm 2. naturalism 3. abstractionism
|
|
| 38 |
Moving away from literal representation. Extracting the...
|
abstractionism
|
|
| 39 |
1.
Most well known work is Noces...
|
Nijinska
|
|
| 40 |
Why was Nijinska Considered a
companion piece...
|
- some similar movements
- the use of Russian folklore...
|
|
| 41 |
What diff did Nijinska do different from the Rite of spring?
|
there is the use of modernist abstraction
|
|
| 42 |
What modernist abstraction did Nijinska use?
|
- décor is bare, simple, reduced to essentials....
|
|
| 43 |
3 Major Contributions of Diaghilev and Ballets Russes
|
- transformed ballet from a
classical form into a modern...
|



No comments yet! Be the first to add a comment below!
Please login to post comments.
After login, we will forward you back to this flashcard.