Arthistory Midterm1

Slides   up to mannerism, stoping with raphael.

48 cards   |   Total Attempts: 182
  

Cards In This Set

Front Back
Tempera
Medium yolk is vehicle for carrying pigments dries quickly generally opaque, thick (can't layer color)
Question 2
Image
Giotto Virgin and Child Enthroned c. 1310 early Renaissance -altar piece - convincing, life-like -variety in facial expression, shows emotion - more volume than Cimabue - succession of angels to give depth perspective -throne open on sides, Mary & Jesus are more accessible -drapery flowy, fabric suject to gravity
Question 3
Image
Giotto Arena Chapel Padua, consecrated 1305 fresco early Renaissance
-blue was one of most expensive pigments - subject: scenes from life of Virgin & life of Christ
Question 4
Image
Duomo, Florence dome by Brunelleschi, 1417-36 early Renaissance -nave: long part of cross, good for processions -transcept- arms of cross, where altar is (east) -altar= east, entrance in west ( facing altar = facing Jerusalem) -dome is Gothic - Renaissance: used science to make dome so large

Question 5
Image
Brunelleschi
San Lorenzo in Florence
begun 1421 early Renaissance
-built for Medici so they would seem pious
- balanced and symmetrical
-pietra serena
-pilaster
-coffered

Pietra serena
Traditional materials (in Florence)
"Serena stone"
showed off walls
Pilaster
Flat columns applied to the wall
matches columns (smooth Corinthian w/arches between columns)

Question 8
Image
Michelozzo
Palazzo Medici Riccardi: Facade
Florence
begun 1446
rusticated stone, rustication
early Renaissance -arches, columns, cornices precisely space = classical
-each floor different sized (lighter as you go up)
-exterior: heavy cut stone
-Colosseum principle (successive layers that are smaller)

Question 9
Image
Leon Battista Alberti. Palazzo Rucellai: Facade Florence 1455-70 early Renaissance -pilaster -one up-ed Michelezzo - more correct, obvious colleseum principle - doric on bottom -" Piano Nobile" best floor
Question 10
Image
Lorenzo Ghiberti East Doors, Baptistry, Florence 1425-52 Jacob & Esau early Renaissance perspective, contrapposto, continuous narration
Question 11
Image
Donatello David 1425-60 early Renaissance -probably first free standing male nude since antiquity -bronze - Florence identified with David (boy under attack by gigants) -in contrapposto
Question 12
Image
Antonio del Pollaiuolo Hercules & Antaeus 1475 early Renaissance
Question 13
Image
Pollaiuolo Battle of the Ten Nudes 1465-70 engaving (intaglio = cutting in) early Renaissance
Question 14
Image
Masaccio Brancacci Chapel Santa Maria del Carmine, Florence 1424-27 early Renaissance
Question 15
Image
Masaccio Trinity Virgin, St. John the Evangelist & Donors Santa Maria Novella Florence, 1425-8 early Renaissance -barrel vaulted space