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THEA 200 Exam 2
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Side A ------ Side B Silhouette ------ Shape/outline, can be used in terms of costume, light, props, etc. Table work ------ 1st couple of rehearsals where the actors, director, and designers talk about the expectations, conventions, and concept of the play Read-through ------ a part of the table work; a read through of the script in character Design ------ the creation of forms; "By Design" means the design must be purposeful, even when it is designed not to look like it is. Technical Director ------ sees that everything gets built and put together properly and complies with the conventions of the play Set Designer ------ scene designer. -defines the space -works with the budget provided -helps set the tone and style of the production -establishes location and period in which the play takes place -develops a design concept consistent with director's concept -provides a central image or metaphor, where appropriate -ensures that scenery is coordinated with other production elements -solves practical design problems Wagon ------ anything on the stage with wheels Revolve/turntable ------ special piece built into the stage to be able to rotate the floor; used to switch backgrounds or props around Ground Plan ------ Bird's eye view; created with motion in mind Gel ------ a sheet of plastic, kind of like celophane, that is put over a light to change colors Gobo ------ a cutout that is inserted into a light to cast specific shadows Light plot ------ drawing that shows where all the lights will go Fourth wall ------ imaginary barrier between stage/actors and the front of house/audience Dramaturg ------ person whose job is to research the background of the play, setting, plot, or culture stage manager ------ coordinates all technical aspects of the production, runs rehearsals, and cues lights and sound Front of house ------ auditorium where audience sits mass ------ physical form of an object; can refer to actors, clothing, etc. (design term) Composition ------ putting together an image; lots of things coming together to tell one story (design term) Model ------ 3D rendering of stage design Rendering ------ sketch/drawing of sets, costumes, props, etc. Set Dressing ------ putting together the elements of the set (background, props, lights, etc.) cues ------ prearranged changes for lights or sounds Master electrician ------ person in charge of making sure lights work and hangs them up Scrim ------ thin, open-weave fabric which is nearly transparent when lit from behind and opaque when lit from the front Production concept ------ the central idea in which all designers are working around Aeschylus ------ first important Greek/western dramatist -added the 2nd actor to theatre presentations who played several parts in a mask -reduced the size of the chorus to 12, making it more manageable -master of the triology Sophocles ------ second Greek dramatist -built on the dramatic form of Aeschylus -raised the size of the chorus to 15 -added a 3rd actor who played several parts with a mask -had a distinctive structure of play writing Euripides ------ third Greek dramatist -more of a rebel, most modern dramatist -introduced sympathetic portrayl of female characters, increased realism, mixture of tragedy with melodrama and comedy, and skeptical treatment of the gods Aristophanes ------ author of the only surviving 'Old comedies' of ancient Greece; satirized prominent figures Cyclorama ------ piece of fabric used to shine lights on; ALWAYS in the back of the stage Functions of the Greek Chorus ------ told the audience about the setting, was very loud, created the mood, and modeled the perfect audience Conventions of Greek Theatre ------ -just male actors -actors wore masks -religious ceremonies for ALL people in honor of Dionysus -2-3 actors -chorus of approx. 12-15 people Reasons for Greek Theatre ------ they were performed to honor the Greek god, Dionysus, and were to be viewed by all Dionysus ------ Greek god honored by Greek theatre City Dionysia/ Dionysian Festival ------ annual spring festival in Athens honoring Dionysus, incorporated tragic drama and comedy. lasted several days, including 3 days devoted to tragedies, and had time set aside for 5 comedies. Satyr plays were performed; awards were given at the end Satyr plays ------ one of the 3 types of classical Greek drama, usually a ribald takeoff on Greek mythology and history that included a chorus of satyrs, mythological creatures who were half-man and half-goat. On festival days in Athens, it was presented as the final play following 3 tragedies. Dithyramb ------ song and dance parties/orgies honoring Dionysus Tragoidia ------ root of the word "tragedy", means "goat song" because they used to sacrifice goats for Dionysus Thespis ------ First Greek actor; stepped out of the chorus and added acting to the Dithyramb Ekkyklema ------ a cart used in Greek theatre to wheel stuff on stage, such as dead bodies Mechena ------ big crane in Greek theatre used to "fly" people in Deus ex Machina ------ means "too contrived or artificial", translated as "God of the machine" Parados ------ the scene in which the chorus enters; also the entranceway for the chorus in Greek theatre Theatron ------ where the audience sat in Greek theatre; means "seeing place" Orchestra ------ a circular playing space in ancient Greek theatres; in modern times, the ground-floor seating in a theatre auditorium Periaktoi ------ pieces of scenery for Greeks that spin to change to different scenes Skene ------ back stage house in Greek Theatre; building with a facade and columns Hamartia ------ linked to the tragic flaw in Greek theatre; an archery term meaning "to miss the mark" "building" costumes ------ to create a costume from scratch in a costume shop Costume designer ------ the person responsible for the appearance of each performer onstage Line ------ DEFINES form -straight, curved, spiral, etc. -real vs. suggested Texture ------ TACTILE ASPECT of form -scale from rough to smooth -light reveals texture of form Color ------ MODIFIES form -changes dimension -generates optical motion Costume Designer's Objectives ------ -helps establish tone and style -indicates historical period and location -indicates nature of individual characters or groups, their stations in life, occupations, and personalities -shows relationships among characters; separates major characters from minor ones; contrast one group with another -meets the needs of individual performers, makes it possible for the actor to move freely in a costume; allows a performer to dance or engage in a sword fight or make quick changes -must be consistent with production as a whole, especially with other visual elements Lighting Designer's Objectives ------ -Provide visibility -help establish time and place -help create mood -reinforce style of the production -provide focus on stage and create visual compositions -establish rhythm of visual movement Elements of Stage Lighting ------ -Intensity -color -direction -form -movement Sound designer ------ person responsible for arranging and orchestrating all aural (sound) effects Fade ------ lights dim slowly, changing the scene from brighter to darker Cross-fade ------ one set of lights comes down while another comes up Blackout ------ all the lights are shut off at once Raked Stage ------ when the stage of the theatre is slanted Role of the Director ------ -casts the play -works with all the designers -makes sure the play is unified -works intensely with performers during rehearsals -prepares the action onstage -composes the stage picture -gives shape and structure to the play in space and time Broadway House ------ 1 of the 30 professional theatres in NYC with 500 seats or more Off-Broadway ------ Between 100 and 499 seats Off-off-Broadway ------ fewer than 100 seats Lighting Designer ------ knows which elements or qualities of light will achieve the objectives of the play Willing Suspension of Disbelief ------ audience puts aside all literal and practical considerations in order to enter into the world of the drama Given Circumstances ------ the specific aspects of the situation and setting of the play Stage Picture ------ visual composition; how the entire scene will appear to the audience Technical Rehearsal ------ rehearsal at which all the design and technical elements are brought together Dress Rehearsal ------ rehearsal in which a play is performed as it will be for the public, including all the scenery, costumes, and technical effects Run Through ------ rehearsal in which the cast goes through the entire text of the play in the order that it will be performed Previews ------ special viewing of the play before the opening night Producer ------ the person responsible for the business side of a production, including raising the necessary money. Property or Props ------ "prop" comes from the word "property"; referst to any object that will be used onstage but is not a permanent part of the scenery or costumes Trap door ------ hole in the stage that is hidden and used for quick exits by actors Choregus ------ the equivalent of a modern day producer from classical Greek theatre
Side A ------ Side B Silhouette ------ Shape/outline, can be used in terms of costume, light, props, etc. Table work ------ 1st couple of rehearsals where the actors, director, and designers talk about the expectations, conventions, and concept of the play Read-through ------ a part of the table work; a read through of the script in character Design ------ the creation of forms; "By Design" means the design must be purposeful, even when it is designed not to look like it is. Technical Director ------ sees that everything gets built and put together properly and complies with the conventions of the play Set Designer ------ scene designer. -defines the space -works with the budget provided -helps set the tone and style of the production -establishes location and period in which the play takes place -develops a design concept consistent with director's concept -provides a central image or metaphor, where appropriate -ensures that scenery is coordinated with other production elements -solves practical design problems Wagon ------ anything on the stage with wheels Revolve/turntable ------ special piece built into the stage to be able to rotate the floor; used to switch backgrounds or props around Ground Plan ------ Bird's eye view; created with motion in mind Gel ------ a sheet of plastic, kind of like celophane, that is put over a light to change colors Gobo ------ a cutout that is inserted into a light to cast specific shadows Light plot ------ drawing that shows where all the lights will go Fourth wall ------ imaginary barrier between stage/actors and the front of house/audience Dramaturg ------ person whose job is to research the background of the play, setting, plot, or culture stage manager ------ coordinates all technical aspects of the production, runs rehearsals, and cues lights and sound Front of house ------ auditorium where audience sits mass ------ physical form of an object; can refer to actors, clothing, etc. (design term) Composition ------ putting together an image; lots of things coming together to tell one story (design term) Model ------ 3D rendering of stage design Rendering ------ sketch/drawing of sets, costumes, props, etc. Set Dressing ------ putting together the elements of the set (background, props, lights, etc.) cues ------ prearranged changes for lights or sounds Master electrician ------ person in charge of making sure lights work and hangs them up Scrim ------ thin, open-weave fabric which is nearly transparent when lit from behind and opaque when lit from the front Production concept ------ the central idea in which all designers are working around Aeschylus ------ first important Greek/western dramatist -added the 2nd actor to theatre presentations who played several parts in a mask -reduced the size of the chorus to 12, making it more manageable -master of the triology Sophocles ------ second Greek dramatist -built on the dramatic form of Aeschylus -raised the size of the chorus to 15 -added a 3rd actor who played several parts with a mask -had a distinctive structure of play writing Euripides ------ third Greek dramatist -more of a rebel, most modern dramatist -introduced sympathetic portrayl of female characters, increased realism, mixture of tragedy with melodrama and comedy, and skeptical treatment of the gods Aristophanes ------ author of the only surviving 'Old comedies' of ancient Greece; satirized prominent figures Cyclorama ------ piece of fabric used to shine lights on; ALWAYS in the back of the stage Functions of the Greek Chorus ------ told the audience about the setting, was very loud, created the mood, and modeled the perfect audience Conventions of Greek Theatre ------ -just male actors -actors wore masks -religious ceremonies for ALL people in honor of Dionysus -2-3 actors -chorus of approx. 12-15 people Reasons for Greek Theatre ------ they were performed to honor the Greek god, Dionysus, and were to be viewed by all Dionysus ------ Greek god honored by Greek theatre City Dionysia/ Dionysian Festival ------ annual spring festival in Athens honoring Dionysus, incorporated tragic drama and comedy. lasted several days, including 3 days devoted to tragedies, and had time set aside for 5 comedies. Satyr plays were performed; awards were given at the end Satyr plays ------ one of the 3 types of classical Greek drama, usually a ribald takeoff on Greek mythology and history that included a chorus of satyrs, mythological creatures who were half-man and half-goat. On festival days in Athens, it was presented as the final play following 3 tragedies. Dithyramb ------ song and dance parties/orgies honoring Dionysus Tragoidia ------ root of the word "tragedy", means "goat song" because they used to sacrifice goats for Dionysus Thespis ------ First Greek actor; stepped out of the chorus and added acting to the Dithyramb Ekkyklema ------ a cart used in Greek theatre to wheel stuff on stage, such as dead bodies Mechena ------ big crane in Greek theatre used to "fly" people in Deus ex Machina ------ means "too contrived or artificial", translated as "God of the machine" Parados ------ the scene in which the chorus enters; also the entranceway for the chorus in Greek theatre Theatron ------ where the audience sat in Greek theatre; means "seeing place" Orchestra ------ a circular playing space in ancient Greek theatres; in modern times, the ground-floor seating in a theatre auditorium Periaktoi ------ pieces of scenery for Greeks that spin to change to different scenes Skene ------ back stage house in Greek Theatre; building with a facade and columns Hamartia ------ linked to the tragic flaw in Greek theatre; an archery term meaning "to miss the mark" "building" costumes ------ to create a costume from scratch in a costume shop Costume designer ------ the person responsible for the appearance of each performer onstage Line ------ DEFINES form -straight, curved, spiral, etc. -real vs. suggested Texture ------ TACTILE ASPECT of form -scale from rough to smooth -light reveals texture of form Color ------ MODIFIES form -changes dimension -generates optical motion Costume Designer's Objectives ------ -helps establish tone and style -indicates historical period and location -indicates nature of individual characters or groups, their stations in life, occupations, and personalities -shows relationships among characters; separates major characters from minor ones; contrast one group with another -meets the needs of individual performers, makes it possible for the actor to move freely in a costume; allows a performer to dance or engage in a sword fight or make quick changes -must be consistent with production as a whole, especially with other visual elements Lighting Designer's Objectives ------ -Provide visibility -help establish time and place -help create mood -reinforce style of the production -provide focus on stage and create visual compositions -establish rhythm of visual movement Elements of Stage Lighting ------ -Intensity -color -direction -form -movement Sound designer ------ person responsible for arranging and orchestrating all aural (sound) effects Fade ------ lights dim slowly, changing the scene from brighter to darker Cross-fade ------ one set of lights comes down while another comes up Blackout ------ all the lights are shut off at once Raked Stage ------ when the stage of the theatre is slanted Role of the Director ------ -casts the play -works with all the designers -makes sure the play is unified -works intensely with performers during rehearsals -prepares the action onstage -composes the stage picture -gives shape and structure to the play in space and time Broadway House ------ 1 of the 30 professional theatres in NYC with 500 seats or more Off-Broadway ------ Between 100 and 499 seats Off-off-Broadway ------ fewer than 100 seats Lighting Designer ------ knows which elements or qualities of light will achieve the objectives of the play Willing Suspension of Disbelief ------ audience puts aside all literal and practical considerations in order to enter into the world of the drama Given Circumstances ------ the specific aspects of the situation and setting of the play Stage Picture ------ visual composition; how the entire scene will appear to the audience Technical Rehearsal ------ rehearsal at which all the design and technical elements are brought together Dress Rehearsal ------ rehearsal in which a play is performed as it will be for the public, including all the scenery, costumes, and technical effects Run Through ------ rehearsal in which the cast goes through the entire text of the play in the order that it will be performed Previews ------ special viewing of the play before the opening night Producer ------ the person responsible for the business side of a production, including raising the necessary money. Property or Props ------ "prop" comes from the word "property"; referst to any object that will be used onstage but is not a permanent part of the scenery or costumes Trap door ------ hole in the stage that is hidden and used for quick exits by actors Choregus ------ the equivalent of a modern day producer from classical Greek theatre
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