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1.
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-17
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-Geometric Krater from Dipylon Cemetery -740 BC (8th Century BC)-3 feet tall-Geometric Period-big open mouth signifies krater (mixing water and wine)-Found in dipylon (two gates) cemetery in Athens-ceremonial-grave markers (vase function usually during geometric period)-hole in bottom (somewhat function of a rhyton) (Pour water/wine into vase, pours into ground below for the dead)-registers (organization of Greeks)-narrative frieze-Vase like a body (neck shoulder foot)-Bulk of art on shoulder-meander pattern (secondary to main art focus)-no depth and use of echelon method -represented war, and death and grief of death (not embracing death like Egyptians)-story-telling (epitomizing geometric period)
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2.
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-10 pts
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-Corinthian Black Figure Amphora-625 BC (7th Century BC)-Amphora vase (storage vessel)-Oriental Period-approximately a foot high-yellowish clay (Corinthian)-Black figure style (Corinthian, adopted by Athenians) +Silhouettes +design is etched out-registers (organization)-rosettes in registers (oriental)-function is aesthetic
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3.
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-11 pts
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-Lady of Auxerre-650 BC (7th Century BC)-limestone-Oriental Period-goddess or maiden(kore)?-just over two feet tall-Auxerre, France (oldest known location. Now in the Louvre)-Hand over chest indicating prayer may suggest maiden or kore. -Also no headdress suggests maiden-characteristic triangle topped head-Small waist, belted and fondness for pattern are typical during Oriental Period
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4.
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-10 pts
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-Calf Bearer-560 BC (6th Century BC)-Archaic Period-Smiling (Archaic Smile, of archaic period-first)-dedicated by Rhonbos-symbolizes bringing Athena an offering to thanks for prosperity (prosperous times during Archaic period)-marble-Acropolis, Athens, Greece.-Male perfection (nudity)-Five feet five inches
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5.
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-11 pts
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-Kroisos -530 BC (6th Century BC)-Archaic Period (600BC-480BC)-Marble-6'4-grave in Anavysos -kouros statue-much more naturalistic than in other periods +rounded cheeks and hips +natural hair-Was originally painted(eyes, lips etc.), but Greeks normally left the flesh the color of the stone-The man Kroisos died in war. The statue base says that Ares (God of war) destroyed him whilst he was in war-stands in the typical Egyptian stance (one foot forward)
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6.
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-9 pts
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-Peplos Kore-530 BC (6th Century BC)-Archaic Period-4' tall-wears a peplos, a belted wool garment meant to make women look like columns-was buried after the left arm was broken off when the Persians came in 480BC-originally was in the Acropolis, but found buried-Originally a votive offering for Athena-Much more naturalistic, especially in comparison to the previous Lady of Auxerre
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7.
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-11 pts
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-Temple of Hera I-550 BC (6th Century BC) -Paestum, Italy-Archaic Period (archaic temple)-80 X 170 ft -Doric Order-Roof, frieze etc have all disappeared-Hera is the wife and sister of Zeus and the goddess of marriage-called temple of Hera 1 because temple 2 in nearby-even number of columns-has main room (cella or naus) and porch (pronaus)
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8.
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-11 pts-5-13
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-West Pediment from the Temple of Artemis-580 BC (6th Century BC)-Archaic Period-Corfu, Greece (where the temple sat)-Doric Order-Pediment had metopes and triglyphs, now destroyed-Artemis is the goddess of the hunt and wild animals, and also associated with the moon-The center figure of the pediment is Medusa (snake haired demon)-Medusa has the typical Archaic bent leg, and arm to show a pinwheel shape symbolizing movement of running or flying-She is surrounded by a human, and Pegasus, the winged horse and then by two guardian felines +The felines are similar to those of Mycenaean lions at the Lions Gate-To the far right is Zeus battling a giant (gigantomachy is popular in Archaic times)
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9.
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-10 pts
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-Gigantomachy-530 BC (6th Century BC)-Siphnian Treasury, Delphi, Greece-2' 1-Marble-Ionic Order-The treasury's function was to hold votive statues safely-The north frieze contains an a popular theme of gigantomachy-Features Apollo and Artemis chase a fleeing giant, while a lion attacks another giant-Was originally painted and some metal weapons
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10.
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-13 pts
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-Kleitias and Ergotimos: Francois Vase-570 BC (6th Century)-Chiusi, Italy-Archaic Period-Black figure (design is etched out)-Krater wide mouth-Red clay indicated Athenian artist (unlike yellow clay of Corinthians)-divided into registers-Kleitias was the painter, Ergotimos was the sculptor +"Kleitias painted me", "Ergotimos made me" (pride of the artist)-more than 200 figures throughout-Many stories, lots based on Homer's writing (The Iliad) +Achilles -Many things were labelled-Featured twisted perspective (profile of face, frontal torsos)
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11.
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-15 pts
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-Andokides Painter: Bilingual Amphora (black figure) (ALSO SEE RED FIGURE)-525 BC (6th Century)-Bilingual vase-Amphora (storage vessel) vase- black figure taught to the Andokides painter by Exekias(a famous black figure painter)-recreation of Exekias' original of Achilles and Ajax playing a dice game-foreshortening to show depth-red figure: new development. +Painted instead of etched +More fluid +figures left as color of clay, just painted bg-red figure doesn't show depth, just skill of Andokides painter-Andokides is the potter-Ajax on right, Achilles on left-Bulk of art on shoulder, design adapted to shape of vase- Focus on one narrative-use of spears and design to draw eyes centrally-1"9'
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12.
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-4pts
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-Aerial View of the Acropolis-Athens, Greece-Agora is below (site of politics, education, law, military, the mint-path up through Acropolis
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13.
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-13 pts
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-Euphronios, Herakles wrestling Antaios-510 BC (6th Century BC)-Krater (mixing water and wine)-Euphronios was the painter-red figure-Antaios was a giant (earth giant)-1.5 feet high-Athens reddish clay-two scenes, one on each side to keep from overcrowding-Herakles has upper hand-overlapping of bodies is typical of red figure-bracketing of center scene-foreshortening (body towards legs away) advantage of red-figure
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14.
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-10 pts
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-Euthymides: Three Revelers-510 BC (6th Century BC)-Euthymides was rival or Euphronios-Bracketing of main scene-Showing off of foreshortening, all figures three quarter turned-"Euthymides painted me as never Euphronios could do"-2 feet high-Vulci, Italy-Nude males to show beauty of male body-combination of drapery and body to contrast smoothness of skin with texture of drapery +creates movement
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15.
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-6 pts-5-23-Onesimos (Girl preparing to bathe) -No picture...see textbook if necessary.
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-Onesimos (Girl preparing to bathe)-490 BC (5th Century BC)-interior of a kylix(drinking cup)-Done by Onesimos-Very different to show a woman nude, only in private sphere would this have been allowed-May possibly been a slave woman, so naked not nude.
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16.
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-8 pts-5-24
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-Temple of Aphaia-500 BC-Aegina, Greece-Classical Transition Period-Doric Order-12 columns on sides, 6 on front and back-45X95 feet-Dedicated to local goddess Aphaia
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17.
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-7pts-5-26
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-West Pediment of the Temple of Aphaia-500 BC-Classical Transition Period-Aegina, Greece-On a Doric Order temple-Theme of battle between Greeks and Romans-Athena at center of combat
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18.
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-6pts
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-Dying Warrior from West Pediment of Temple Aphaia-500 BC-Classical Transitional Period, though still remnants of Archaic through the smile +rigid frontal torso-no sense of thinking or feeling-Aphaia Temple. Aegina, Greece-5 feet two inches long
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19.
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-9 pts-5-30
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-East Pediment from Temple of Zeus-470 BC-Libon of Elis was the architect of the temple-Pediment was on a Doric Order temple (so metopes and triglyphs)-Olympia, Greece-87' wide-depicted a scene between Pelops and King Oinomaos having a chariot race for the daughter of the king's hand in marriage (Hippodameia). -Zeus in center of pediment with Oinomaos (son of Ares) and his wife on one side and Pelops and Hippodameia on the other, each with respective chariots -Contrast with Archaic smile of Archaic period
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20.
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-6pts
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-Athena, Herekles, and Atlas with the Apples of Hesperides-470 BC-Metope (Doric Order) on the Temple of Zeus, Olumpia, Greece-Classical transition Period-Depicts scene of Herakles holding up the sky, with aid form Athena and a cushion, instead of Atlas who goes on a journey to fetch the golden apples of Hesperides-Shows sterner faces than that of Archaic period. (Stark contrast with archaic designs)
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21.
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-6 pts
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-Kritios Boy-480 BC-Acropolis, Athens-2' 10-reflected real stance of human, not like kouros statues and Egyptian statues with one foot forward +shifting and balancing weight around spine-separation from Archaic to Classical Transition Period
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22.
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-8 pts-5-35
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-Charioteer -470 BC-commemorates a victory at Delphi against a tyrant in a chariot race-Made of Bronze-5'11 -Almost an Archaic pose, but with turned head and feet in different directions----Severe Style still.-depicts after the race is over when driver is in winner's circle-Dressed in a way to symbolize fluted column
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23.
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-8 pts
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-Zeus (or Poseidon)-450 BC-Zeus or Poseidon?-Found in a shipwreck off the coast-Made of bronze-Could be Zeus throwing lightning bolt or Poseidon with his trident (most likely Zeus)-6'10"-Classical transition period
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24.
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-8 pts
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-Myron , Diskobolos (Discus Thrower)-Sculptor is Myron-Roman marble copy, though original is bronze and 450 BC-5th century-Somewhat Archaic in the frontal torso, but stern face-Indicates movement with arch of back and arms, two intersecting arcs to symbolize a tightly stretch bow ready to release.-sculpture in the round-5 ft tall
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25.
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-11 pts
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-The Parthenon (temple of Athena Parthenos)-447-438 BC-Iktinos and Kallikrates were the architects-Acropolis, Athens, Greece-Doric order-used mathematics (x=2y+1) to construct-17 Doric columns by 8 Doric columns (8 wide to house large Athena)-Despite harmoniously, mathematical design, still the peristyle columns lead inward and the stylobate curves upward in the center +refinements to allow not to look sunken or outward-4:9 ratio of building-92 metapese (depicting Greek vs. _______)-Some Ionic order columns inside the Parthenon +perhaps to indicate that Athens ruled all Greeks +rise of Athens in Early Classical/ Transitional Period
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26.
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-13 pts-5-8 (out of order)
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-Kouros -600BC (7th Century)-young male-1000's of statues like this-no individulaism-marble (use of fine material to please gods possibly)-Function: Votive statues, most likely-found near temples-association with athletics, if an athlete one three times as statue would be made-non-naturalistic (eg. wig hair)-idealist, perfection of male athletic body-archaic half smile (to show life, not eternity like Egypt)-sculpture in the round
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27.
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-10 pts
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-Phidia, Athena Parthenos-438 BC-Made of gold and ivory (the ivory for Athena's skin)-Located in the cella of the Parthenon in the Acropolis in Athens, Greece-Because it was so large, the Parthenon had to be expanded to 8 columns wide, when six was the norm-Held Nike (female impersonation of victory)-Depicts Athena the Virgin-Her shield shows amazonomachy (fight between Greeks and Amazons)-Soles of sandals shows centauromachy (fight between Greeks and Centaurs)-Shows lots of victories---hence holding Nike(Victory)-Pool of water to keep ivory moist
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28.
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-9pts.-5-48
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-Panathenaic Festival Procession frieze-447-438 BC-524 feet long, 3.5 feet tall-not typically in a Doric temple, but possibly used to show Athens as city for all Greeks (island (Ionic) mainland (Doric) or to show wealth/prosperity-logic in terms of procession-Curved top to look like leaning outwards so to be able to see more (skill of artistry)-originally painted with reds, and blues with bronze attachments for aesthetics and to show wealth-naturalism in depth-sitting gods
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29.
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-7pts-5-52
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-Caryatid from Erectheion-420 BC-High Classical Period-Straight leg to allow fabric to look like fluted column-only use with ionic columns-Brought back feelings of Siphnian treasury at Delphi
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30.
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-8 pts
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-Nike Adjusting Her Sandal-410 BC-Temple of Athena Nike, Acropolis, Athens-Made of Marble-3'6'-Made of Marble-Athena Nike, always shown with wings, is goddess of Victory-shows movement by use of wet drapery. Also shows texture in contrast to skin, drama, light/shadow and mastery of naturalism
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31.
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-11pts
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-Praxiteles, Aphrodite of Knidos-350 BC-4th Century sculpture-new canon of proportion: slender, taller, s-curve, softness of form-two sculptures of Aphrodite, but this nude one became bigger attraction-original was made of marble-most celebrated of sculptures-new aesthetic-hand over sexuality-humanizes the goddess by taking clothes off for bath, compared to the naked woman on the cup was de-humanized in the earlier centuries-drapery provided foil and contrast of texture to smooth skin of Aphrodite
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32.
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-7 pts
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-Lysippos Apoxyomenos-330 BC-4th century -6'9" tall-depicts new canon of proportion (head not as emphasized as in past)-slender, taller, athletic subject, open sculpture(can be viewed all around) sculpture in the round-shows an athlete scraping oil off his body
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33.
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-5 pts
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-Head of Alexander the great-200 BC- Marble-1 foot high-said to show most closely to the original sculpture of Alexander done by Lysippos showing his entire body and apparently looking up to Zeus
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34.
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-11pts
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-Philoxenos of Eretria: Battle of Issus-310 BC-Hellenistic Period-Originally a painting-Historic Battle rather than general mythological one +Historic is typical of Hellenistic times-Individualism, realism, movement, energy, excitement all typical movements in Hellenistic-depicts great battle between Persian Darius III and Alexander the Great-Alexander and Darius are seen staring at each other-Mastery of the technical +horses turned, man's reflection in shield +foreshortening 3/4 turns for realism-Faces depicting emotion compared to 5th century placid faces-Spears draw eyes to Darius (unique composition) -Ability to create psychological tension
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35.
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-7 pts
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-Polikleitos the Younger, Theatre-350 BC-one of best ever built-still used today-brought a sense of rationality-great acoustics-center statue of Dionysus (god of theatre)
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36.
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-7pts
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-Athena Battling Alkyoneos-175 BC-gigantomachy frieze-from alter of Zeus in Pergamon, Turkey-Athena grabs hair of Alkyoneos as Nike flies to crown her-Marble-7'6"
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37.
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-9 pts
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-The Nike of Samothrace-190 BC-Samothrace, Greece-Hellenistic Period-Depicts Nike standing on a Greek Warship (removed arms lifted to crown naval victor, like in the frieze on Zues' alter) +Wings look like still flapping +fabric blowing in the wind, creates contrast and movement-Was originally on two boulders on a fountain, where water was meant to look as if crashing on ship +creating aural and visual artwork-Theatrical effect-made of marble-8' 1"
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38.
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-8pts-5-83
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-Aphrodite(Venus de Milo)-150 BC-Alexandros was the architect-found on Melos, Greece-6'7"-Made of marble-original left hand held the apple of Paris(judged her as most beautiful goddess)-sexuality and teasing
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39.
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-9 pts
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-Sleeping Satyr-230 BC-Hellenistic-7'1"-depicts sleeping, typical of Hellenistic-possibly intoxicated and sleeping restlessly-Satyr is semi-human follower of Dionysus god of wine and theatre-found in Rome-focus on sexuality
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40.
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-8 pts-5-86
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-Seated Boxer-100 BC-Hellenistic-traditional theme of Greek athlete-bronze-4' 2" high-depicts a battered veteran of boxing(broken nose, teeth, blood)-evoking compassion of a once mighty fighter
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